Poetry from Steve Bloom




   
"Circle of Poets" Project

   
       
Introduction: In June 2019 I composed the poem "If You Are One" which appears below. Along with the poem itself I issued an invitation to other poets to submit work in the spirit of joining hands and creating the "circle of poets" referred to in the last stanza. I include on this page every poet who submitted work, in the order their poems were receivedI choose not to otherwise judge the quality of the work submitted. Merely wanting to be part of this circle is, therefore, the sole requirement for membership. I believe that readers are capable of considering and judging the quality of work for themselves.

Participation in our circle of poets remains open. If you would like to join please send one or two poems to steve@stevebloompoetry.net. Thanks.

Steve Bloom
July 2019

Dedicated to the Radical Poets Collective, New York City 
   

Steve Bloom

If You are One

     
If you are one of those
who has envisioned a world
better than the world into which you were born
already you have achieved more
than most human beings who ever lived.
   
Allow me to take off my hat and offer you
          this small tribute.
     
And if you are then one of those
who has taken a single step
to make it a better world
already you have achieved more
than all of the others, who merely dream.
     
I take off my hat and bow down
          in your presence.

     
Perhaps you might even be one of those
who has composed a poem?
Is it possible, then, for anyone to comprehend
just how much we have already achieved?

     
Come, join me in this celebration if you are,
          indeed, another one of these.
Let us take a moment to imagine, together,
the magnitude of what we
might someday accomplish
if ever we join hands,
each with all of the others,
and form ourselves into a great circle
          of poets.
     


      
Circle of Poets in alphabetical order

(To jump immediately to a particular poet's contribution click on hes name below):
     

Poems in chronological order of submission:

     

Martín Espada

Letter to My Father

October 2017


You once said: My reward for this life will be a thousand pounds of dirt
shoveled in my face. You were wrong. You are seven pounds of ashes 
in a box, a Puerto Rican flag wrapped around you, next to a red brick 
from the house in Utuado where you were born, all crammed together 
on my bookshelf. You taught me there is no God, no life after this life, 
so I know you are not watching me type this letter over my shoulder.

When I was a boy, you were God. I watched from the seventh floor
of the projects as you walked down into the street to stop a public
execution. A big man caught a small man stealing his car, and everyone 
in Brooklyn heard the car alarm wail of the condemned: He’s killing me. 
At a word from you, the executioner’s hand slipped from the hair 
of the thief. The kid was high, was all you said when you came back to us.

When I was a boy, and you were God, we flew to Puerto Rico. You said: 
My grandfather was the mayor of Utuado. His name was Buenaventura.
That means good fortune. I believed in your grandfather’s name. 
I heard the tree frogs chanting to each other all night. I saw banana 
leaf and elephant palm sprouting from the mountain’s belly. I gnawed 
the mango’s pit, and the sweet yellow hair stuck between my teeth. 
I said to you: You came from another planet. How did you do it? 
You said: Every morning, just before I woke up, I saw the mountains.

Every morning, I see the mountains. In Utuado, three sisters, 
all in their seventies, all bedridden, all Pentecostales who only left 
the house for church, lay sleeping on mattresses spread across the floor 
when the hurricane gutted the mountain the way a butcher slices open 
a dangled pig, and a rolling wall of mud buried them, leaving the fourth
sister to stagger into the street, screaming like an unheeded prophet
about the end of the world. In Utuado, a man who cultivated a garden 
of aguacate and carambola, feeding the avocado and star fruit to his 
nieces from New York, saw the trees in his garden beheaded all at once 
like the soldiers of a beaten army, and so hanged himself. In Utuado, 
a welder and a handyman rigged a pulley with a shopping cart to ferry
rice and beans across the river where the bridge collapsed, witnessed 
the cart swaying above so many hands, then raised a sign that told 
the helicopters: Campamento los Olvidados: Camp of the Forgotten.

Los olvidados wait seven hours in line for a government meal of Skittles
and Vienna sausage, or a tarp to cover the bones of a house with no roof,
as the fungus grows on their skin from sleeping on mattresses drenched 
with the spit of the hurricane. They drink the brown water, waiting 
for microscopic monsters in their bellies to visit plagues upon them. 
A nurse says: These people are going to have an epidemic. These people 
are going to die.
The president flips rolls of paper towels to a crowd 
at a church in Guaynabo, Zeus lobbing thunderbolts on the locked ward 
of his delusions. Down the block, cousin Ricardo, Bernice’s boy, says 
that somebody stole his can of diesel. I heard somebody ask you once
what Puerto Rico needed to be free. And you said: Tres pulgadas 
de sangre en la calle: Three inches of blood in the street.
Now, three 
inches of mud flow through the streets of Utuado, and troops patrol 
the town, as if guarding the vein of copper in the ground, as if a shovel
digging graves in the back yard might strike the ore below, as if la brigada
swinging machetes to clear the road might remember the last uprising.

I know you are not God. I have the proof: seven pounds of ashes in a box 
on my bookshelf. Gods do not die, and yet I want you to be God again. 
Stride from the crowd to seize the president’s arm before another roll 
of paper towels sails away. Thunder Spanish obscenities in his face.
Banish him to a roofless rainstorm in Utuado, so he unravels, one soaked
sheet after another, till there is nothing left but his cardboard heart. 

I promised myself I would stop talking to you, white box of grey grit. 
You were deaf even before you died. Hear my promise now: I will take you 
to the mountains, where houses lost like ships at sea rise blue and yellow
from the mud. I will open my hands. I will scatter your ashes in Utuado.

     

     

Christina Starobin

Fast food store: for rent
Big white rhododendron still
open for business

          

Note: The following are song lyrics. To listen to Louise Dessertine singing this song go to https://www.reverbnation.com/louisedessertine/song/30160972-i-am-of-water

*   *   *   *   *

Louise Dessertine
     

I am of Water     

April, 2013

I am of water, tears run down my face
          Carry in their wake sadness and regret
          Drops on the window trickle away
          I am of water, tears and I are kin

I am of water, was sired by a storm
         
It poured and howled on that fateful night that I was born
         
Playful vengeance from above,
          I am of water, the rain and I are kin

I am of water, the ocean is my mother
          She sings an ancient lullaby, watchful of my slumber
          As she has always done and will do forever
          I am of water, the sea I are kin

I am of water, mighty clouds my father
          White and muscular tumbling bye
          Mist conceals a warrior’s cryMist conceals a warrior’s cry
          I am of water, clouds and I are kin

A parched man walks for days to reach a wretched creek
A droplet in his throat, moves him to speak
Brings life to his weary eyes, a tear runs down his cheek
For many a thousand years women sing and bear
An elixir that springs out of nowhere
Their voices crossing deserts to a parched man in despair

I am of water, my sisters, so many lakes
          Rivalling the vanity of the moon and sun
          My brothers, raging rivers, forever on the run
          I am of water, currents and I are kin

I am of water, small glass in my hand
          Raise it to the light, it glitters teasingly
          Bring it to my lips, the whole world enters me
          I am of water, the world and I are kin.
     

     
Sam Friedman

Blood/Lines

Flying economy class 
over the endless ocean once known
as the Middle Passage,
three-abreast neighbors complain in grumping harmony
about crowding, poor food, and the miseries
of six hours
aloft.

First-class in the cabin above
dine with the cutlery and politesse
of their ancestors, the financiers
of Triangular Trade,
boasting of America.
     

 
Farid Bitar
Palestinian Poet

Resilience
   
Give me
A tear drop
A mole on my misty cheek
My freedom to set my tears free 
 
Give me
Patience to persevere
An enemy that is brutal
I run in a murky sky 
I remember ugly atrocities 
I witnessed
   
Give me 
Tear drop that will not reach 
The asphalt 
Till my homeland returns 
I pray that Zion 
Stops slaughtering the children 
Their blood should not dry 
Till Palestine is back 
I pray for my nation to exist
  
Give me 
A dignified life 
Without dogmentation 
Free of Nakbah 
Free of wars 
Never will I give up 
My demolished house 
Never will I forget Jerusalem 
Or Haifa 
Or Yaffa 
Or Ghalil 
I keep repeating myself 
So I will not forget
   
Give me 
My mother’s passion 
My father’s resilience
 
 *   *   *   *   *
 
The Crossing 
 
Naked mountains in death valley 
Broken hearts ascending upward 
I am mercury rising  to Jerusalem 
Passed by my childood town 
Jericho O! Jericho 
Below sea level 
l was departing occupied 
Palestine 
Allenby bridgeJordan ahead 
Enemy behind my ass 
Observing all that history 
From my window 
Baren mountains wizzing by 
Dressed with thorns of painful memories 
Sweltering heat melting the skin 
Bones scattered all over the valley 
A soldier boarded the bus for inquisition 
Arrogant, swaggering and screaming 
I said in my head 
Get lost from my existence 
Grabbed my belongings 
And ran as far as the bridge 
Visited mother's grave 
Many many years have passed 
I forgot to say hello to father 
I prayed at the rock of ascension 
I dropped by the famous grave of Jesus 
I refused the sight of the wailing wall 
I saluted the living 
I kissed my only sister 
I reminisced in front of my house in the 
Old city surrounded by the wall 
I then departed. 
With a tear drop on my cheek.
  
[Note: after a trip to Palestine in July 2018, 11 years later, to read from the collection of Palestinian poetry titled Blade of Grass.]
 

Lauren Schmidt

In Defense of Poetry

[Monmouth Neighborhood Housing, Monmouth County, New Jersey]



To you who say

poetry is a waste of ten homeless mothers’ time—
that I should correct their grammar,
and spelling, spit-shine their speech
so it gleams, that I should suck their tongues
and spew what you say is snakebite poison,
that I should set a red bucket full of
Yes, Miss,
Thank You,
and Whatever you say, Miss
on these mothers’ heads, fill that bucket
heavy, and tell them how to tip-toe to keep it
steady, that I should give them something
they can use, like diapers, food, or boots—

I say

you’ve never seen these ten women lower
their faces over poetry, as if ready for a lover
to slip his tongue between their lips, or

sip a thin spring of water from a fountain.

     


Robert Gibbons

The liberation of the peon
(for: Diego Riviera)
 
It has been eighty years since the arrival
of Diego. The crowd is immense with politics,
 
still intense I smell the burning of the sienna,
like the sugarcane in winter. It is brown
 
on canvas. We were all frozen assets.
There are frescoes covered in tarp-concealed
 
chips, a way to feel the revolution
approaching, as dark as the ochre.
 
It was not just the pozzuoli or the almape-
movado. Its vine black-and-cobalt blue,
 
paints the rhythms of the American worker;
sounds of a pneumatic drill growls.
 
The agrarian voice of Zapata forms
behind the mural panels the depression;
 
pencils in his sketchbook peasant laborers;
with babies on their hips. It is the peon
 
and the peonage; the scion color mirages.
My vantage points flames the inflame.
 
The blame blasphemy; look around for the dead
see Frida in her poster bed.

     

*   *   *   *   *

     

the confiscation act

We understand the need to protect your own,
but there is a need to protect the rights
of all people. The people given equality
under the same constitution as everyone,
not a rote textbook theory, wrapped in rhetoric
and political jargon, so we can understand.
     
We can understand your use of protection
not intimidation, and this is not always visible
under the indivisible as we were told.
     
We can understand the need to protect your own
our bodies are not shooting range,
Not a Wild West movie used for folly
with hidden internal demarcation
the separation of black and blue.
     
We do believe in you
your method a strain antique
left over from a country sheriff
like so many above the supreme law
there is a higher justice mired
in consequence
given the past and the shield
as a mask there are a few.
     
The finest, the thin line
between life and death
give us our humanity back
our shell-shock witnesses
our frames and pay out
our whistle blowers and
Jim Crow.

     


     
     
ehn Bvelavi
     
A Draft Prayer
     
reaching you
reach for parts that are floating through air
reach the parts that have never been shared
     
the struggle soft
there is no blood
another now trees a feather to know the wind
signals prudent measure
and stirs its jinn to spirit
what carries on to neat campaign
is godly-summoned
and bears your name
to contrive within lines of common state
a pure space
of sober mind
i settle in
invited
     
reaching you
reach those parts that have always been scared
keep you
in the arms where your story is cared for
see you
in more times of hermitic repair
be you
place and time that your senses are flared
     
to love the scars that are conjured or there 
does it steal you
to beat the heart that alerted my stares
     
why this is a prayer is that i need you
not to live
not to know love
not to escape loneliness
nor to do well in my endeavors
these i have found ways of succeeding at on my own
that i will soon have mastered
     
what i need of you that i am incapable of alone
what each of us is somehow inept or adept at in their own state
is surviving
i can not survive
those i love can not survive
those who are innocent
whose only offense is ignorance of the indifference or malice that may lay them
and those against us
may not survive
     
if you, as societies of interdependent beings, communities of common and aligned interests, and  individual agents of distinctive significance, continue to preserve what is chiefly and persistently eroding the social viability and ecological compatibility of our species
in fostering subsistence as our social emphasis and aspiration; and scarcity that perpetuates the systems and social designs that deny, disadvantage, and continue to disconnect us all
scarcity that accepts the circumscription that "getting by" is the best most of us can expect
scarcity rather than conservation, circumscription as discipline, and fearfully shriveling as opposed to confidently developing
     
to meet you
mean you
breathe you
     
and for those i represent, the Bvelavi–those within any movement whose agenda is consensus across ideologies on which living designs and practices to preserve as life-serving and which to abandon as obsolete to thriving wellness for all–the chief and persistent culprit of this subsistence is colonized acquiescence to the Sacred Money and Market story that is foisted on living society by dictating interests as the only viable reality; its systemic imbalances; and the deliberation of people and states that are resolute in these frustrations
as if this realism were capable of ever maturing Coexistence to justly "serve all"; of resourcing opportunity in the world that is at all socially equitable; or of providing universally inclusive solutions to the problems before us
     
believe what you will. this is among your prerogatives as sentient beings, and perhaps your archetypal roles in the weavings of fabricated existence
though i urge you-preserve faith in that which you soulfully desire and envision as you forge it–but believe in what there is evidence for
and there is ample evidence for imagining what were once impossibilities and demonstrating what we necessarily must become to realize them
how do we?
by understanding that the distinct considerations of any people, in any way that matters to thriving possibilities anywhere, are not isolated within struggles that are fundamentally aboriginal or immigrant;
or essentially African, Arctic/Antarctic, Asian, European, Oceanian, North; Central; or South American
but are more often than not distinctively, yet commonly, faced by every being with a determination to honor the meaningfulness of their existence
     
by becoming alliances of social change agents where our genius is acknowledged and synergized
rather than philosophically culturally or ethnically concentrated
and by resourcing social development within regenerative frameworks of collectively thriving rather than exploitive or disadvantaging frameworks of competitively prevailing
     
and by not expecting the requisite shifts to happen necessarily in this moment
this generation
this lifetime
but rather with the time frame needed to unravel what has taken half a millennium of history to institute
     
we approach abundance in life by beginning to believe in it–then deciding, alongside those of concerting spirit, to uphold the imagined and manifest it
a new realism is called for-along with entirely re-engineered and re-imagined resourcing models that abandon economics which concentrate wealth and assets to the excessive favor of a disproportionate few
     
and this is among the callings of the Bvelavi…
supporting thriving archetypes in the “Sacred Life and Living Earth" story
and through enterprise models that are anchors in, and bridges to, emerging designs that preserve as sacred not only ancestral wisdom, but the essential resources that must convert back to and remain the Commons
our warrior examples for this in the Solidarity Economy include the widely observed Jackson-Kush model of Cooperation Jackson in Mississippi and other allies in the New Economy Coalition, and the lesser known communal asset currencies of the Chevil Até Project, developing in the Gulf Coast of the U.S. and other areas
     
those of you whose callings of purpose or inclinations of spirit stir in such verdicts of reckoning, i beseech thee to signal thy assents to those of us intending to survive–we are in need of you
you are every conception of alignment that exists
in touching you i extend and fulfill myself
i mature
i observe the divine
mine and yours, and those taking shape as other
     
which is to pray let us awaken to what resides within
and seeks to exercise widely-openly
to synergize
the torches flared between us
into a common blaze
so that i, at long last
you, consensually
and we, in long standing
may conjoiningly and thrivingly be
     
know you
as the name of a mystery braved
steal you
from every stain that your history pains
show you
read your name in a way that prepares
reach you
see you
be you
seize and hold you
     
and keep you
     

Gene Glickman
     
THE IRAN-CONTRA RAP
       
1. We're gonna rap the straight scoop about The Enterprise. 
An' we're not talkin' 'bout the starship that flies high above the skies.
We mean the squad o' spies 'n' counterspies that piled up all the lies. 
They wore the Star Spangled Banner. What a great disguise! 
(Oh, say, can you see? Not when “Ol’ Glory” blinds my eyes.)
      
2. They're Reagan's White House basement Operations Team.
They're makin' damn sure that things ain't what they seem to seem!
Our hero's Oliie North. He's bes’ known as "Mister Clean."
There's his assistant, Fawn Hall. Fawn's at the shredding machine.
She's destroying damning documents of dirty deeds supreme.
      
3. Here is the C. I. A.'s big boss, Bill Casey,
who supervises spooks' 'n' spies' destabilizin' trickery.
He's playin' poker with the middleman, Khashoggi.
And with Elliot Abrams, Under Secretary
in charge o' South o' the Border: our Latin strategy.
They’re all practicin' the poker face: preparin' perjury!
While upstairs in his office, Reagan don' know "A" from "B."
At least, that's the tall tale 'e tol' to you and tol' to me.
But did we really take 'is alibi so seriously?
Well, maybe for a while. He spoke with such sincerity.
 
4. It all starts in Nicaragua, back in Seventy-nine.
Somoza gets bounced after years 'n' years o' crimes.
While in far-away Iran at the very same time, (pronounced “Eye ran”)
the Shah gets the boot. He cannot even resign.
Both get fired! Canned! Axed! It makes gigantic headlines.
 
5. In Nicaragua, Sandinistas say they want to explore
how they might make a mixed economy. The poor could then have more
to eat an' less to weigh 'em down. The people's spirits start to soar.
While in Iran, the Ayatollahs yearn . . . for Holy War!
So they snatch a batch o' hostages, 'n' sniff in every drawer
of ev’ry desk in our embassy! . . . That’s the las' straw!
. . . On toppa Chile, Cuba and El Salvador;
not to speak about Korea or the Vietnam War.
 
6. For The . . . Enterprise it is a sad, sad hour.
But the mos' that they can muster is to twiddle thumbs 'n' glower!
They moan an' they groan: "It's all goin' sour!"
But in the nick o' time, Ronald Reagan comes to power.
Jumpin' jelly beans! He is the Man of the Hour!
 
7. Reagan shakes ‘is fist. He is really pissed!
Everywhere he turns, he sees a terrorist
with a big buncha bombs an' a long hit list.
He jus' knows the whole globe is goin' Communist!
The A. N. C.? “It’s Communist!”
The P. L. O.? “It’s terrorist!"
The Reverend King? "He is a Communist!
With them I will not coexist!"
With them he will not coexist!
 
8. Into the Oval Office Reagan calls 'is personnel.
He says, "We gotta start to think about preparin' to repel
The Evil . . . Empire: they wanna storm our citadel."
His passion socks the eager beavers there jus' like a bombshell.
Besides, they're true believers. They don' need a hard sell.
They're all keyed-up, jus' like race horses right before the starting bell.
"We know The Red Dawn is comin'. We can tell, sir, we can tell!"
An' so the President, he ponders, and 'is cabinet as well.
The military moguls sigh, "Wouldn' it be swell
to really kick the Sandinistas straight down to hell?"
"That rat, Khomeini, he could join 'em as they fel!"
"Yeah! That would surely learn 'em: Yeah! they better not rebel!"
 
9. But Reagan, though he'd love to, cannot order out the troops.
‘Cause we remembered Vietnam: we would not be his dupes!
Instead he decks Somoza's cronies out in camouflage suits
an' calls 'em "Freedom Fighters." Though they ac' like brutes.
Their suits don't camouflage it, folks: the Contras are brutes.
 
10. But the brutes are broke. They need big bucks bad.
But Congress says, "Nope!" 'N' that makes Reagan really mad.
"Now, how can I give 'em cash when there's no stash that can be had?"
In Costa Rica, in Honduras all the Contras are sad.
An' in Miami in the Beltway the big boosters get mad.
But inside o' Nicaragua all the people are glad.
And here at home, lotsa folks are heard to say, "Not bad!"
 
11. But just then, Ollie North has the juiciest idea!
He marches straight to William Casey an’ he breathes it in 'is ear:
"Sell some weapons to Iran, an' don' let anybody hear.
An' then, jus’ like magic, all the hostages appear!
An' then they all come smilin' home, while many millions wave 'n' cheer,
An' the confetti's snowin' down, while people wipe away a tear.
An' it's a diplomatic coup! But if something seems weird,
just have your people point at me, so that Reagan's in the clear.
Or maybe Bud could take the rap, 'n' then I'd be in the clear.
Or maybe you could take the rap." "Who, me?" "Yes, you."
"Not me; couldn' be!" "Then who'd we say took cook-
ies from the cookie jar?" "Well, how's about What's
-'is-name...Ghorbanifar?" "There's always Poindexter..."
"Whadja think about George?" "What, Bush? Not Bush!
The Up-‘n'-comin' President? What a dopey idea!
No way! No way! Use your head 'n' not your rear."
 
12."Okay, okay! . . . Now here's the rest o' the plan:
We jus' preten' that givin' presents to the Contras ain't banned.
Then, when Khomeini's stack o' jack is sittin' pretty in our hand,
we just ease it on over to the Contra High Command.
Don'tcha love it? The Contras get the contraband!"
"Well, as far as it goes, it is a pretty nifty plan;
but what about Khomeini an' 'is crazies in Iran?"
"Well, when the Contras take control, we'll deal with that madman."
 
13. For a year, Colonel Ollie looks very, very smart.
But then, The Operation comes undone an' falls apart.
An Enterprise pilot's caught red-handed, for a start.
Then a magazine in Lebanon upsets the apple-cart.
 
14. "Guns for Hostages!" its headline cries.
An' soon the world is yakkin' 'bout "American lies."
Back here at home it shocks the guys down at The Enterprise.
They tried to hide it. They denied it. Then they made like they're surprised.
Elliot Abrams tells the Congress piles 'n' piles 'n' piles o' lies,
as his nose is growin' longer, longer, longer in size.
All their noses grow, grow, grow the more they try to improvise:
"Aw, gee! What makes you think we'd give the Contras supplies?"
"Us sell some popguns to Khomeini just to ransom out our guys?
Why, my heavens! That's agains' the law an’ also most unwise."
"But if some dodo did a doodoo, we'll make him apologize."
 
15. So, Congress holds its Hearings. They're all over the T. V.
But to understand the lingo, you 'bout need a P h. D.
Ya see, we learn about "plausible deniability."
An' of the Sultan of Brunei an' Countries One, Two, Three,
Four, Five. 'N' "covert action" by the N. S. C.
But only certain of the actions taken by the N. S. C.
Ya know, the res' cannot be talked about in front o' you and me!
“Some things are bes' not mentioned when in mixed company.”
“For a long, long time they're gonna stay a mystery.”
“Because our National Security's the source o' liberty."
 
16. So the hot-shots . . . have to stand on trial.
It is the toughes' test yet of their plausible denial.
Two or three cop a plea 'n' go to prison for a while.
An’ find religion. Colonel Ollie stands up tall: that's his style.
He likes salutin'. He makes speeches full o' bile and full o' guile.
He shakes the hands o' loyal fans as he strides straight down the aisle.
He goes a'runnin' for the Senate. But he loses by a mile.
"I'll be back," he announces, with a crocodile's smile.
 
17. So, The Enterprise was shaken. The Hearings came and went.
But though the whole country watched 'em, did they really make a dent?
Well, since the Hearings shut up shop, there's been no enlightenment.
The C. I. A. still gets its dough 'n' we don' know how it is spent.
The cloak 'n' dagger still goes on an' they don' ask for our consent.
The Cold War ended 'way back when, but billions go for armament.
But we can change things if we try. We really aren't impotent!
We got the power of the vote. We can elect a dissident.
We got the power of the streets. Big picket lines are eloquent.
We got the power of the purse. We pay the Government's rent.
Every last red cent! Can ya sense our sentiment?
We hope ya read our lips. Catch our drift? Grab a-holda our accent!
Be more irreverent! Be impudent! Be truculent! Belligerent!
But give your local dissident encouragement. . . . 
In fac', to us this story's moral is: BECOME A DISSIDENT!
     

Daniela Gioseffi

     

Mother Gaia

     
We’ve seen Her from outer space,
one big blooming woman.
We’re all born out of Her sapphire globe,
gleaming with frothy white waves and browns and greens
of forest and farmlands. When we saw Her
from outer space, life recognized life.     
     
She emerged flying from the sun’s explosion,
spun Herself into roundness to rotate endlessly,
journeying round the sun. Primal being without mouth, legs,
arms, or genitalia, she sails round the sun, spinning us
through days into sleep-filled nights. Her moon
creates tides on Her watery surface. Hospitable regions
of Her lands and seas birthed many organisms and, finally,
the ones with consciousness: we who issued from Her,
we individuals of Her global community, we– all of us–
     
Her children, dependent upon Her atmospheric balance
and photosynthesis fostering multitudinous varieties
of consumable vegetation. Spewing lava, molten glass
from sand, burning, acrid, smoking,
     
Gaia, it seemed, had no future. Who would have thought
that from Her roundness so many beings would be born?
Who could have guessed that from Her flaming hot magma
forests, cities, songs, art, poetry, longings would be born?
     
Please come be Her celebrant with me, hope with me that our children,
born of Her womb, will live with Her breath, breathing with Her trees
in symbiotic balance, bathing in Her cleansed waters, tranquilly together,
     
Earthlings suckled by Her full-breasted bounty
of brown-gray earth and blue-green waters–
Mother Gaia, our only teardrop of love and laughter,
afloat in cold dark space.     

*   *   *   *
      

Eve Talks with Mother Earth Who Swallowed
the Blood of Her Beloved Son Abel

     
You opened your mouth to him Mother,
     and took him in.
Are you comforting Abel in your belly?
Will he fertilize the Tree of Life
     for all of us?
     
God gives no peace to Cain.
He sends him out of his sight in pain
to wander in a World of Death and Sorrow.
     
Though one still lives, I grieve
     the loss of both my sons

     
Mother Earth, when will the testicular

God of War give us peace? We give birth in pain

and God takes our sons away forever.

     
After so much toil and nursing to raise them,

He spills their blood and cripples them
     in useless wars, and they pillage you,

     Mother, for things that do not
                    make them happy.

     
What they really desire is the safety of our arms.

They call for us as they die on the battlefield.

Mama, Mother, Mommy, Mom they cry out!

     
They want our milk in their mouths, not blood,

but they don’t understand their anger

     in growing away from us into men

     who must toil for their bread.

     


Gordon Gilbert
     
revealed
     
March 26, 2019
     
all that once was going down
unheard unseen throughout the land
at long last now is seen and heard
&
the time has come for us to take a stand
     
still there are those who would deny it
still would fight it
but the truth is to the eye and ear revealed
and those in power must come clean
for all have heard and all have seen
     
what body cams and cellphones reveal
what lies and denials no longer conceal
     
but there are those who would believe
the lies still told us to deceive
choosing not to hear or see
the ugly, grim reality
     
they’d rather go deaf and blind
than admit the wrongs done
by our fathers and brothers
our mothers and sisters too
to others not their kind
some day perhaps to those like me
some day perhaps to you

     

Maria Lisella
   
They Don't Remember When  We Were . . .
      
… the immigrants, the sharecroppers,
the unskilled laborers standing on corners
waiting for work, maybe it was the Hell’s Gate Bridge
or the dangerous bowels of the subways.
      
Sharing low-lit tenements with men piled high
swapping pillows, sheets and beds as they returned
from the morning shift, the evening shift
      
The stench of those men-filled quarters
No women to dress for, to clean for,
to shave for, a society of men clammy
      
in winters, sultry in summers, saving
meager wages split with padroni
and landlords, before sending bits and pieces
      
Home to bring wives and children
here to this foreign place, trying
to remember why they left home,
      
Was it that bad? Yes it was, wives don’t tell
the men in their letters, of the famine,
the deaths, a silk thread of hope spanning
      
The Atlantic, to feel whole again
not so alone, to be human instead
of imitating animals in the daily routine:
      
Wake, work, sleep, nothing in between
no rises or falls or celebrations or
clean towels or bread on the table
      
Set for four, six or set at all.
Eating while standing becomes a skill
on the corners waiting for the work
      
If the policeman doesn’t move them
to another corner, stepping into strangers’
cars, a dangerous deal for a day’s work
      
Now the men speak with accents from:
Mexico, Guyana, India but they are not
so different from our grandfathers and uncles
      
Shifting from one foot to the other to keep warm
expecting a day’s pay by nightfall, but who can tell?
they have no choice.
      
My mother recalls the stories of her father, brothers.
She cannot understand the nieces, nephews
who don’t see their ancestors’ faces before them.
     
*   *   *   *   *



     
Our Date
      
My stepson spent
the afternoon in detention
for lying to a nun.
      
I told them my name means
pheasants in Italian,
but no one believed me.
      
Half white, half Puerto Rican,
Italian last name, nappy hair,
said otherwise.
      
At the perfect age of 10,
my stepson and I
had a date one afternoon.
      
Determined to teach him to fly,
forget nuns, divorced parents,
over-protective mother,
      
or, just ride a bike.
A two-wheeler, banana seat,
shiny, chrome, bells, streamers.
      
He’d run alongside it
throw one leg far and wide
in time to find the peddle
      
on the other side.
I clutched the back of the seat
sent him off as far as I could.
      
Like my father did for me,
knowing spills and harm
would follow.
      
Years later,
a knot in my heart,
his dusty, tear-smeared face
      
lips quivering, telling me
of a quick ride to an Italian
neighborhood in Pelham Bay
where he was chased down
      
by taunts of You don’t belong here.
            I tried to tell them my name
            but no one listened.
      
I think of all I don’t know
about couragehow to build it,
pass it on, when to fight, to flee,
      
and when to leave your bike
behind, save your life,
find your way home.



Gil Fagiani

The Black  Hand  II

2/7/18

Mom told me about the bands of Italian thugs in Greenwich Village that extorted money from their poor co-nationals as soon as they started to work or open a small business. How Lieutenant Joe Petrosino, New York City’s first Italian-American police officer, began to succeed in defeating the Black Hand, until gunned down in Palermo where he planned on exterminating the organization at its very roots. Today I look at my left hand, blackened by the continuous sticking of needles to provide the blood work and IVs for my life and death struggle against leukemia. Mamma, who are the names of my enemies: The Devil, Satan, Lucifer, “undisclosed environmental factors,” and who is my Joe Petrosino, pledging to destroy them?
     

[Note: Gil Fagiani died before we launched this "Circle of Poets" page. The poem above was submitted by his lifelong comrade and companion Maria Lisella. We include it with our own personal acknowledgment of the key role Gil played while he was alive, working in so many ways to create a circle of poets in the spirit we are attempting to replicate hereSteve Bloom.]

     


Austin Alexis

From the Public


Your helicopter scorches the White House lawn.

We, the citizens, haul water,

bring love to the grass blades.

We are necessary when you

stand tall in your title,

impose your shadow over the landscape,

manipulate serene sunrays

with your jackhammer presence.

We, the citizens, supply nutrients

for greens to flourish

even when soil has been contaminated,

turned to cinder and ash.

*   *   *   *   *


Strategy


Demagogues step all over truth

to arrive at lies.

They manipulate lies

into mirages that seem true

but turn out to be tricks, falsehoods.

They succeed with such tactics

when sheep are willing to be sheep,

when sleepwalkers agree

to stride onto the streets

while keeping their eyes closed.

     


Margaret R. Sáraco

Thoughts on the Day the Canadian Immigration Site Crashed 
During an American Presidential Election of Epic Proportions

I hear there may be an inn open
in Nova Scotia near a rocky cliff
a few kilometers from Annapolis Royal
alongside the Evangeline Trail
where Acadians, British,
Scottish and Black Loyalists
battled, lived and died for control of this
newfound place.

A graveyard marks the spot
where spilled blood soaked the earth
in a province where street signs in English and Gaelic,
point the way from Pugwash to Grand-Pré
this place (re)discovered by expats
who venture from different soil
and see in their new homeland, their land
never forgotten.

Call if you like, at the inn, someone may be there.

     


Katharine Beeman

On the shelf, a trilogy

after reading Che, my brother by Juan Martín Guevara and Taking the arrow out of the heart by Alice Walker

"There was a time when subversive works were censored in Argentina. This is no longer the case. Today’s method is to try to prevent us reading, pushing us to watch tv, surf the web. That’s why I’m so against these means of communication. I dislike their immediacy. Now, everything has to be instantly, when we should be stopping to think, to reflect."
Juan Martín Guevara

I

Books

In the glow
of an after reading,
we sign books,
he, with all love
I, in love and struggle
for solidarity, friends, a poem.

Mine speaks of defeating imperialism,
his of winning peace
both strangers
in this land we chose,
cherishing that right.

I remember 1970,
the War Measures Act:
manuscripts and books on shelves
trucked off by men in dirty boots -
again -
less than ten
short long years
after booty seized by Padlock cops
in the Grande noirceur of ‘54
was torched

My home land security:
the books
stay on the shelf.
Theirs:
our nightmare,
calls us to account –

What do you mean - love?
How long have you associated with…?

To them perceived a danger
this innocent love,
each a danger to the other
found on shelves
when the barbarians come.

2004


II

Love’s dialogue

There are some who think:
to honour a book
leave it pristine,
wouldn’t dream of
underlining
bracketing
annotating,
conversing by pen or pencil
with the author;
and heaven forbid a drop
of wine
or chorizo stained
finger tip
touch a page,
or a corner bend.
Others of us (Che and Fidel as well) know:
a beloved book
is like our childhood
stuffed bear -
fur worn off,
an ear gone,
a mismatched button eye
testimony to
love’s dialogue.

2019


III

The trouble with books

In the 21st century
the trouble with books,
is their cost
and their weight,
whereas I would buy them
sow them like seeds,
blow them dandelion-like
from one end
of Our America
to the other.

2019

*   *   *   *   *

The Kiss

Always,
in the morning
afternoon
whenever,
remember
-the kiss-
because it might be
the last
And maybe
you won’t
remember
that exact kiss,
among so many,
but you’ll remember
-always-
you
shared it

2019